The web series “Indian Police Force,” directed by Rohit Shetty, takes viewers on a journey into the complex world of law enforcement as they grapple with a potentially formidable terrorist. The storyline unfolds with the nation hanging in the balance, but early impressions suggest a departure from the high-octane cinematic experiences that Shetty is renowned for. The narrative introduces an intriguing conflict between the police force and a nefarious antagonist, setting the stage for an exploration of the series’ strengths and weaknesses.
Comparison to Movie
A significant point of interest is the series’ comparison to Shetty’s previous cinematic venture, “Sooryavanshi.” While the series is a spiritual successor, it is portrayed as a more subdued version, opting for a nuanced approach to the conflict. This shift is particularly evident in the dynamic between a Muslim police officer and a radicalized adversary, which, while promising, seems to lack the cinematic flair and adrenaline-pumping thrills characteristic of its movie counterpart.
Realism and Engagement
A critical lens reveals a notable flaw in the series’ attempt to portray the gritty reality of a police force. Rather than providing an authentic and engaging depiction of the men and women on the front lines of maintaining a bustling national capital’s security, the series takes a stilted and unstimulating narrative path. This lack of engagement with the authentic challenges of law enforcement work undermines the series’ potential for audience immersion, leaving it devoid of the realism that could have elevated its narrative impact.
Style and Thrills
The series’ stylistic choices and its approach to delivering thrills become focal points of discussion. Despite being laden with action sequences, shootouts, and chase scenes, the series seemingly falls short of the expected high-octane energy associated with Shetty’s Cop Universe. The absence of thunder and bluster, elements typically integral to the genre, hampers the show from evolving into the compelling police drama it aspires to be. It is a departure from the director’s usual formula, emphasizing surface gloss and routine thrills rather than seeking immersive, hard-hitting realism.
Cast and Characters
The examination extends to the ensemble cast, featuring notable actors such as Sidharth Malhotra, Shilpa Shetty, and Vivek Oberoi. While these performers are renowned for their skills, the review suggests that they fail to inject a much-needed spark of freshness into the narrative. Trapped within a stale script, the cast members navigate through their roles, portraying bravado and invincibility with a sense of laborious effort. The characters, particularly the principal protagonist Kabir Malik, struggle to transcend established stereotypes, contributing to an overall lack of dynamism within the series.
Delving further into the plot, the narrative revolves around Kabir Malik, the first Muslim policeman in a universe dominated by iconic characters like Singham, Simmba, and Sooryavanshi. His mission is to thwart the plans of a terrorist named Zarar. Despite the potential for an engaging and fresh perspective on the challenges faced by law enforcement, the plot unfolds predictably, adhering to established patterns that detract from its originality. The series misses the opportunity to break free from convention and offer a narrative that truly resonates with the audience.
Clichés and Lack of Depth
A central criticism of the series revolves around its reliance on clichés and the absence of depth in its exploration of policing in a bustling Indian metropolis. Rather than offering nuanced insights into the intricacies of the profession, the series appears to be a cut-and-paste job, borrowing elements from Shetty’s previous successful police procedurals. This lack of originality and depth diminishes the series’ potential to contribute meaningfully to the understanding of law enforcement dynamics on the ground.
As the narrative unfolds, a prevalent issue becomes apparent—the predictability of the series’ trajectory. The recurring trope of “not all Muslims are terrorists, but all terrorists are Muslims” is highlighted as an overused element that diminishes the impact of the show’s conclusion. This predictability robs the series of the potential to deliver a significant impact or surprise, contributing to a sense of monotony and a lack of narrative innovation.
Visuals and Style
An exploration of the series’ visual elements sheds light on its cinematographic choices, featuring drone and fly-cam shots that capture the city skyline, incorporating the touristy sights of Delhi and Goa. Despite the visual grandeur, the series is criticized for not providing the in-depth perspective offered by shows like “Delhi Crime.” Instead of delving into the nuances of a city on edge, the series opts for conventional action blocks and chase sequences, missing an opportunity to present a more comprehensive portrayal of the urban landscape.
In conclusion, the series is deemed lacking in force, with a narrative that unfolds as dry as dust. The absence of a radical stylistic approach or a rousing narrative style leaves the audience with an experience reminiscent of watching another Rohit Shetty film, albeit with a different aspect ratio. While the series may find resonance with devoted fans of the Cop Universe, it faces a pressing need for a fresh infusion of inspiration to elevate it beyond its current predictable and tame state. The review encapsulates the series’ shortcomings while acknowledging its potential for improvement and innovation in subsequent endeavors.
Q1: What is the “Indian Police Force”?
A: “Indian Police Force” is a web series directed by Rohit Shetty. It follows the efforts of law enforcement to thwart a potentially dangerous terrorist who poses a threat to the nation. The series explores the challenges faced by the police force and delves into the conflict between the officers and a radicalized adversary.
Q2: How does the series compare to Rohit Shetty’s movie “Sooryavanshi”?
A: The series is seen as a slightly altered and toned-down version of “Sooryavanshi.” While it shares thematic similarities, particularly in the portrayal of law enforcement tackling terrorism, “Indian Police Force” is described as lacking the high-octane energy and cinematic flair associated with Shetty’s movies.